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Ron McCormick – ‘How Green Was My Valley’

Newport Museum and Art Gallery. September 2019.

 

They were hanging the exhibition the day before it opened. So I took the opportunity to meet and Photograph Ron McCormick before the crowds made it impossible, and he kindly gave me the time in his  busy schedule.

Ron McCormick  was born in Liverpool, and first studied art at The Liverpool College of Art and The Royal Academy Schools, London, before switching  to photography. After a long career in photography he came to the University of Wales College Newport as Senior Lecturer in Documentary Photography with the founder of the first degree course David Hurn, in 1966. I wish now that I had waited a year, because I started a general course in Photography at the Berkshire College of Art in Reading in 1965.

Bernard Mitchell 2020

www.ffoton.wales

Bonds of Attachment – Emyr Humphreys at 100

                                

A Centenary Symposium to celebrate the birthday of Emyr Humphreys, was organised by Prof Kirsti Bohata, at Swansea University, on the 13th April 2019.

One of the greatest Welsh Writers. Emyr Humphreys was born in Prestatyn on the 15th of April 1919, this symposium was organised to honour his literary and cultural legacy. Here are some of the great and the good who were present.

Sadly Emyr Humphreys died on 30th of september 2020 aged 101. Novelist, Poet and Dramatist. He is photographed here at his home in Llanfair PG, circa 1998.

Llansteffan Literary Festival 2018

Introduced by Christine Kinsey, Bernard Mitchell gave a talk about his new book Pieces of  a Jigsaw, published by Parthian Books at the Osi Gallery, Llansteffan on Friday 8th June 2018.  The exhibition will be available throughout the festival and includes images of Osi Rhys Osmond, R.S.Thomas, John Petts, Kusha Petts, Raymond Garlick, Mererid Hopwood, Christine Kinsey, Peter Jones and Sylvia Griffiths-Jones.

Beth Allender

Richard Williams, Elysium Artist in residence, Swansea

I visited Richard in his studio in February 2018 tucked away in a refurbished ex-nightclub, behind a bright yellow front door.  Rich was working hard on his forthcoming exhibition  ‘Come get it while its cold’ which exhibited from February to April 2018.  The beautifully colourful images have a dark undertone, concerned with the idea of humanity’s disconnection from and exploitation of the ecosystem, specifically with the current massive and increasing depletion of insect populations in Europe.

Further information can be found at: www.richardwilliamsartist.com or www.instagram.com/richardwilliamsisme

Beth Allender

 

Meeting Tracey Moberly, Sarah Hopkins and Martyn Ware

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Sarah Hopkins

Martyn Ware

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6th November 2015.

Today I met and photographed the collaborators of a project working title ‘Power’, namely Tracey Moberly, Sarah Hopkins and Martyn Ware. Enthusiastically they told me of the aim of the project and their family connections with the steel and coal industry, which got them fusing ideas in the first instance. Through exploring the five senses the project will bring together the talents of all the artists, exploring each other’s trades. So far they have been recording sounds, visuals and print-making to create an exhibition which will be ready to showcase next year.

Beth Allender

Tracey Moberly

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Tracey Moberly outside 31.08.2015

Images by Beth Allender

A visit to a Rhymney Valley terrace, a small nook of a Welsh mining village, we meet Tracey Moberly, multidisciplinary artist. Given Ms Moberly’s latest intended artistic excursion into “power”, with Heaven 17’s Martin Ware and artist Sarah Hopkins, and her passion of heritage, we make our way to the obvious place for a photoshoot – the former colliery at Penallta.

The colliery near Hengoed is formerly South Wales’ deepest coalfield; its Grade 2 buildings grand and surprisingly ornate, despite their state of dereliction. The headgear of the two shafts are proposed to be part of a pioneering housing development scheme. The site is breath-taking. You can almost inhale the past.

Tracey is warm and humble; ballsy and mischievous. These are traits that certainly come through in her work. She is in tune with the past, whilst embracing the future. She is an activist, a lecturer and artist. She has been selected as artist is residence for an upcoming expedition to the Arctic Pole.

Steve Allender

Morriston 1960s

Here for a change an extract from the early archive, Morriston in the early 1960’s. You might call it street photography. Give a child a camera and adults will ignore you, he probably does not know what he is doing or has no film in the camera, other young people do take an interest. From an early age I was fascinated by the interaction of people in groups. I started in Morriston where I was born and brought up.

Bernard Mitchell

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Street children Horeb Road.

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Rough Sleepers

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Rough sleepers, London 1973, or as I call it the dwarf and the giant. It was a cold winters night, and I am out on the St Mungo’s Trust soup run. These rough sleepers stood with their backs to the hot air ducts at the rear of a hotel near Regents Street. Is this the dwarf who worked for the Kray twins? Does anybody know?

Bernard Mitchell

Graham Hill 1970

Graham Hill 1970

Graham Hill, a long ride to recovery at the Royal Stanmore Hospital January 1970 after breaking his legs in the 1969 American Grand Prix at Watkins Glen. During this time I visited Graham at his home near Elstree and photographed his young son Damon driving his model racing car around the garden. Sadly he died in a plane crash in 1975 returning home from France.

Bernard Mitchell

Last Springbok match at Twickenham 1970

springbok

Looking back to the 1970’s, unlike today’s riots of looting and arson, it was a period of politically motivated demonstrations for a well defined cause. Anti-apartheid. Anti-Vietnam War, Ban the bomb, animal rights, and don’t forget the Irish problem. Violence was often the end result of what should have been a peaceful protest. I seemed to be always there; perhaps the picture desk was trying to give me a message? In February 1970, a mass of anti –apartheid protesters had managed to occupy the end stand at what was to become the last Springbok game in London at the time. Massed ranks of uniformed police tipped protesters trying to get onto the pitch back into the crowd, where plain clothed police made the situation worse, particularly for myself.

Bernard Mitchell

Chelsea supporter 1970

Chelsea Supporter 1970

An original Chelsea smile from a fan in 1970. At the time of the Watford v Chelsea match at Vicarage Road, there was great media interest. Four photographers were sent to cover the match from the Evening Echo. One for each goal, one on the halfway line and myself as the junior member of the team, outside the ground to cover what the crowds got up to in Watford town centre after the match, which I never saw. Today with Swansea City FC in the Premier league, I am told that lip tattoos are back in fashion.

Bernard Mitchell